zetom.info Tutorials Web Page Maker Tutorial Pdf


Friday, April 19, 2019

Web Page Maker is an easy to use web creator that helps you make your own You can create websites with multiple pages and easily manage your site at. Webpage maker Manual. 1. What is Webpage Maker? 2. General structure. 3. List of elements. 4. Inserting elements. Image. Text. Buttons. This tutorial is designed to show the best way to save an PageMaker file to a PDF , for use with our system. It will also show the best setting to save time when.

Web Page Maker Tutorial Pdf

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your PageMaker documents to Internet ready HTML (Hyper Text Markup Language) .. Manual plus dictionary option hyphenates the words to which you have added .. When you export the file to PDF or to a HTML format, the output file will. Description: This document is intended to be used in conjunction with Introduction to web page creation in XHTML (document web-t3) and can also be used as. LIST OF ADOBE PAGEMAKER TUTORIALS: Included on This Page are a List of shows you how to convert your PageMaker files to Web pages using the HTML Pagemaker Tutorials - How to Create a Newsletter in Pagemaker (PDF) .

Inserting elements 4.

Eliminating elements 6. Property panel 6. Page design 7. Managing templates 8. General options 9.

Free tutorials adobe page maker 70 - PDF

The program Webpage Maker is a part of Hosting by 3D Vista that allows users to create WebPages for their virtual tours without needing any technical knowledge of programming. With just a few clicks you can create a professional site with images, texts and advanced functions, as well as get the statistics on page views. And by using web editor, your page will get better rankings in Google and other search engines. The user interface of Webpage Maker has been designed so that the elements can be placed on screen by dragging and dropping.

Once finalized, Webpage Maker will change this design into a real webpage that would take hours if you would have to program it. If you want to use the same design for your pages, you can save time by saving the template and using them for all of your pages. Webpage Maker works in synchrony with VistaZoo, so that the data used in the portal is directly exported to tour as information description, price, address, etc. Property panel of the elements.

Canvas where page design will be visualized. General options of the program Accept, Cancel, Preview Graphically we will find this design: 3. List of elements Basically, the list of elements allows managing the contents that will appear on the finalized page. These elements can be the following: Pictures Text Buttons Tour Information Contact Tour Description Besides the elements shown in the Content window, there are two other elements that always appear in the list and cannot be deleted: General panel that defines page characteristics.

It is always the first element of the list. Viewer of the virtual tour is always the last element of the list. The order in the Content list is important because it allows establishing the elements which will be shown in the background or as the first one compared to the others.

Meaning that the first element of the list will be placed in the most backward position and the last element will be shown in the first position above other elements. To change the order of the elements there are two possibilities: The first consists of the following steps: Choose the element by clicking on it in the list of elements.

Use the following moving buttons: Allows moving the element to the beginning of the list, to the position that comes immediately after the General.

It will be enabled only if the element is not already in that position.

Allows moving the element to the position above its current one. It will be enabled only if the element is not situated right after the General at the beginning of the list. Allows moving the element to the position below its current one. It will be enabled only if the element is not situated right before the Viewer at the end of the list. Allows moving the element to the end of the list, to the position that comes immediately before the Viewer.

The second way to change the order of the elements consists of the following steps: Go on the element in the list of elements and click on it with the Mouse.

Drag the element to the desired position in the list. When it comes to restrictions in the order of the elements, it is important to remember that: The elements General and Viewer have fixed positions that cannot be changed. None of the elements can be situated to the position before the General and after the Viewer. Image This option allows adding pictures to the webpage. To insert an image, just select it from the drop-down menu and click the Add button.

The program will show a window of the archives from the current directory where you can choose the file name of the image you want to add. Then the chosen image will appear on the upper-left corner of the canvas.

To move it to another position, just click on it and drag it to the wanted position. Also, the list of contents will renew itself to include the new item as the last one before the Viewer. You can add as many images as you like. Text The text option allows adding different texts to the finalized page. To insert a text element just choose it from the drop-down menu and click on the Add button. Then the text will appear on the upper-left corner of the canvas.

You can add as many texts as you like. Buttons The button option allows adding button toolbar with previously set functions to the finalized page. It is especially useful for real estate virtual tours.

To insert a button toolbar, just choose it from the drop-down menu and click on the Add button. Then the button toolbar will appear on the upperleft corner of the canvas. You can only have one button toolbar on the finalized page. Information Information option allows adding a text box with tour properties to the finalized page. This information can be obtained from VistaZoo and VistaTour portals because it is necessary to first upload the virtual tour there. To insert an information element, just choose it from the drop-down menu and click on the Add button.

Then the information will appear on the upper-left corner of the canvas. You can only have one information element on the finalized page. Contact Contact option allows adding a text box with tour authors contacts to the finalized page. This information is obtained from VistaZoo and VistaTour portals because it is necessary to first upload the virtual tour there. To insert a contact element, just choose it from the drop-down menu and click on the Add button.

Then the information will appear on the upperleft corner of the canvas. You can only have one contact element on the finalized page. Description Description option allows adding a text with tour description to the finalized page. To insert a description element, just choose it from the drop-down menu and click on the Add button. You can only have one description element on the finalized page. Eliminating elements Any of the inserted elements can be deleted from the finalized page.

There are two ways to do this. Clicking the Delete button which will only be enabled when you have already chosen some of the elements. The other way is to select the element or elements and press the Delete button on the keyboard.

On both cases you will be shown a confirmation Popup to make sure that you really wish to delete the selected elements. Once accepted, these elements will be removed from the canvas and from the list of contents, renewing the position of other elements.

Property panel Property panel allows the edition and modification of the properties of this element that you have chosen. By default, if no item has been selected, you will be shown the properties of the general panel. Image Properties The image properties are the following: Image type.

Dimensions of the image width x height in pixels. File name as it has been saved in the hosting account. Option for changing image. Options for establishing a link from the image.

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The Change Image option allows substituting the current image by opening a window of files for choosing a new image and updating the changes on the canvas and in the list of contents.

The options for establishing a link from the image allows linking the image with a web page, e-mail address or with other type of addresses.

This way, by clicking on the image on the finalized page, it will open the link specified before with these options.

To establish a link, the following steps are necessary: Write the address in the text box. Choose the type of the address inserted from the drop-down menu. Click the Link button. If the address is not correct or does not correspond to the type selected, an error message will appear. When everything is correct, the link will be established.

It is also possible to delete a link. For this just delete the text box with the specified address and click the Link button. Text Properties The text properties are the following: Text content Option for changing text font.

Option for changing text alignment. Option for changing text color. Option for establishing links. To modify the text content, just write in the text box shown. To change the font, click the Font button.

Then you will see a Popup where you can choose the options of type, style, size and the option of underlining the text. To change the alignment, just choose one of the possibilities left, centre, right alignment from the drop-down menu. To change the color, click on the colored box and choose the color that you like.

Establishing links is somewhat more complicated than with images. The main difference is that with images just one link was established but with text you can establish various links with the words you choose. To establish a link with a text element, follow these steps: Choose the part of the text that you would like to use as a link.

To do this, go on the text box and choose the wanted area by using keyboard or the Mouse. Write the address in the corresponding text box making sure that the selected word is underlined. Choose the type of the address website, email address, other.

Click on the Link button. The link will appear underlined and in blue color in the property panel as well as on the canvas. To have more links, repeat the steps above but choose new words you want to link. To edit each of the established links, click on each of them in the text box. It is also possible to delete the links. For that just choose the link you want to delete by clicking on it, then delete the specified address and click on the Link button.

The ultimate test of a good design is if all the information it contains has been read and understood. Design Principles As such it's clear that simple legibility and clarity are essential, but they aren't enough to grab the reader's interest in the first place. This interest is attracted by variety, but it can also be lost by it. A pull-out quote, for example, can draw the eye to an article, but equally it can distract and disrupt the reading flow and so potentially lose readers.

Good design accommodates this apparent paradox by playing off one element against another: consistency against contrast, boldness against understatement, symmetry against asymmetry, unity against division.

Free tutorials adobe page maker 70 - PDF

Good design is built on this internal tension and the balance of opposites. Coming down to earth with a bump, it's important to remember that good design doesn't exist in a vacuum, but is determined by real world considerations.

The most important of these are the intended audience and the intended effect. If you are producing a mail-shot for a bargain-basement special offer, for example, a left-aligned mono-spaced letter that looks as if it has been knocked up on a typewriter will almost certainly be more effective than a lavish full colour brochure. Just as important are the practical considerations of time and money.

The typewriter approach would not only be far cheaper to produce, but also far quicker. For our project the parameters are clear. The publication is a programme of upcoming, mainly arts-based events organised by the French Institute in Edinburgh. It's therefore safe to assume that the intended audience is sophisticated and that, with the events' emphasis on contemporary art, the programme should be appropriately clean and modern.

Budgets are tight, however, so all of the information must be fitted onto a single double-sided page. Full-colour is also out of the question, and in any case many of the supplied photos are black and white, so we'll have to try and maximize the impact of two colours. OK, we know what we're supposed to do, so how do we go about it? Basically the process involves six separate stages see Putting It Together walkthrough.

First the layout grid is created by setting page size, margins and columns. Second the text is roughly laid up and positioned on the grid. Third the typography, the formatting of the text is determined.

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Fourth the graphics are introduced, sized and positioned. Fifth the overall effect of the combined text, graphics and colour is fine-tuned to create the maximum impact.

Finally, when the design is complete, the separated output is proofed prior to sending out to commercial print.

Preparation The first decision to be made is the size and shape of paper to be used for the programme. Often no thought at all is given to this, which is why many beginners find that they have actually designed their masterpiece to the software's default of US Letter!

In many ways, however, this decision is the single most important one we will make as it determines the canvas on which we are going to work. Psychological tests have shown that taller layouts tend to seem formal, while squatter designs seem more informal. They have also shown that a particular shape, the golden rectangle, tends to be selected as the most aesthetically appealing - a fact the ancient Greeks discovered long before market research.

A0 is exactly twice the size of A1, which is twice the size of A2 and so on. What this means in practice is that an A4 sheet, for example, rotated on its side and folded in half will produce two A5 pages. This has huge advantages in terms of conserving paper and so in keeping costs down. Because the ISO pages are such universal standards they also have the advantage that they will easily fit into their corresponding envelope sizes - and into the post box. Slightly reluctantly then, I think we should fall into line with the vast majority of users and select A4 as the page size.

At least by selecting a landscape orientation we can break out from the absolute norm. The next step is to set up the grid onto which we will fit our text and graphics. With a number of separate categories of events to include, together with background information on the Institute and an eye-catching cover, our single A4 sheet will have to be divided into sections.

Folding in two would only give us four A5 pages, but folding into three will give us six taller sections. These will be slightly out of the ordinary, slightly formal and well suited for carrying large amounts of information.

To set up the grid we have to set up the margins and columns. Again many users treat the software's in-built defaults as if they are givens, but each publication will demand different settings. The general rule for multiple page layouts is to have a wider bottom margin than top and a wider inside margin than out, although like most design rules these can be broken for effect.

It's also important to be as generous as possible with margins as the resulting "white space" should not be seen as wasted, but as a crucial part of the overall look of the document. Without decent margins your design is always going to feel cramped. In fact it's often worth shrinking your body copy's point-size to gain space to add to margins, but that's a luxury we're not able to afford.

Instead we're going to have to be comparatively mean with left, right and top margins of 7mm and a slightly larger bottom margin of 1cm. The next step is to set the number of columns - three - and the "gutters", the space between columns. Because each gutter is actually going to be a fold we have to make the width exactly twice the size of the left and right margins - 14mm - to ensure that each panel is correctly centred. Text Handling With the basic grid ready, we can load up the text to see just what we've got to deal with.

PageMaker automatically picks up styles from supported word processors so features like the headings are already picked out.

With frame-based packages like Ventura, the text would automatically flow through the columns from beginning to end. That would be fine if we were producing a book, but for a folded leaflet we need to paste the text in non-consecutive order so that the pages read correctly when folded. PageMaker allows this to be done easily with its freeform text blocks which are positioned and sized manually.

The process demands more intervention, but allows more control. By sizing each text block so that the right text is positioned on the correct panel even if it runs over the bottom of the page, we can get a good idea of what's involved. At the moment the text blocks are all linked so that if I drag up the window shade on one block the overflow text will automatically flow into the next.

To break the links, it's necessary to select each block, cut it and then immediately paste it back.

This is important as we need to know roughly the amount of space they are going to require before we take the next crucial step of choosing our body typeface.

This decision is determined by a combination of factors. The typeface has to be appropriate to the intended audience, but also suited to the particular circumstances. In our case this means a typeface with a contemporary but classic feel which reads well at small point-sizes. The solution I came up with is the sophisticated but highly legible Optima which is a modern interpretation of the Roman lettering on triumphal arches - if only it was the Italian Institute! With the typeface chosen the next step is to choose the point-size and the interline spacing or "leading".

For easy reading of long sections of text, point-size should be between 10 and Unfortunately even at 10 point it's clear that there would be no room for white space - or even the pictures - so I settled on 9. In fact on text-heavy jobs like this that's by no means bad going and it also means that each line contains around 55 letters, within the accepted maximum for comfortable reading of In terms of leading PageMaker defaults to 1.

With our relatively long lines I'd prefer larger leading to make the travel easier for the eye, so I can afford to round it up to 12 points. This body copy leading is particularly important because it sets up the horizontal structure of the grid. The reader probably wouldn't consciously notice if they didn't - so long as the bottom of the columns lined up - but subliminally the design is tighter and has greater internal logic if they do. In other words, if I want my design to win an award it's a must.

The problem is that, as the grid is invisible, it's very hard to work to. However, this can be overcome with a bit of effort and with the help of PageMaker's Grid Manager utility to add repeating baseline guidelines see this month's Real World Publishing article.

The formatting of our body copy is almost complete with only the indents and alignment to be decided. In terms of first line indents these are only really necessary to indicate paragraph breaks, which will be clear enough anyway in our freeform layout, so they can be dispensed with. Setting the text to be justified produces a more block-like and so modern look and has the added advantage that it fits in slightly more copy into the given space.

It will also allow us to add variety and to highlight information by using left-aligned bullet points and dates. Of course all of these formatting decisions could be being applied directly to selected text, but far more powerful is the ability to group attributes as named styles that can easily be applied and edited.

Local overrides can always be added and are then marked in the palette by a plus symbol after the style name.

Apart from the body copy, the most important items of text in the design are the headings. Their relative difference and significance has to be identified which is most easily done by increasing their point-size, emboldening, and centring.

This has to be done while still ensuring that the following paragraphs fall back onto the interline grid. This means ensuring that the combination of each heading's leading and its above and below spacing adds up to a multiple of the point body leading.

We also need to clearly identify the separate category headings but, with absolutely no room for manoeuvre, have to find other ways of marking them off. One of the most obvious ways to do this is by using upper case, but this is generally frowned upon because it interferes with the recognition of word shape that is the basis of easy reading.

For single word category headings, however, this shouldn't be too much of a problem. Used in its bold condensed form this will give the category headings considerable weight while opening up some surrounding white space. Graphics Handling With the grid set up and text formatting established, we're now ready to complete the layout by bringing in the graphics.

It's often said that a picture is worth a thousand words and it's true that without them it would be very difficult to catch and keep the reader's attention. Even so there are limits, and I'm baffled by the urge to introduce lame-brained, badly-drawn clipart on the slightest pretext.

If the image adds nothing, drop it.

Fortunately that's not a problem as we have a good range of photos and line art covering a wide range of subjects. In terms of positioning and sizing the graphics a number of factors come into play. Obviously the pictures have to be positioned next to their relevant text, but it's important to try and disperse them equally throughout the spread both horizontally and vertically.

Image type - line art and photos - and image subject - people and buildings - should also be mixed to give as much contrast as possible. To achieve this it is often necessary to reorder the text. The size of each image is largely determined by the grid, with graphics either scaled to the full width of the column or, if text is going to flow around them, to half or a third of the column width. At the same time, the actual subject of the images must be taken into account.

Don't blow up a boring photo just to fill up space. On the other hand if you've got an intriguing photo, as we do for the cover, don't waste it. Mug-shots of people's faces might be commonplace, but they actually play an important role by humanising a layout. Even so they should only be used at relatively small sizes.

Also think of any subliminal messages the graphics might be giving. If faces are looking out of design, for example, your readers might well follow suit.

Copyfitting Ultimately what we are working towards is a layout where all the text and graphics are seamlessly combined together in a balanced and internally logical whole.We don't want you to be disappointed so please remember: SiteSpinner Pro is optimized only for Windows all versions. The one feature I have used is a couple of bullets to mark off small exhibitions. Third the typography, the formatting of the text is determined. These crop marks enable pages to be easily overlaid to check colour registration and bleeds.

Click on Connect Domain next to the domain you want to transfer. For further information on the following design applications and subjects please click on the links below: It will be enabled only if the element is not already in that position.